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REVIEW - Ken Navarro – Dreaming of Trains
Reviewed by Phil Traynor
http://www.philtraynor.com
 March 15, 2010 - The new CD “Dreaming of Trains” by Ken Navarro (releasing nationally on March 16th 2010) is a dazzling display of multiple talents by the versatile guitarist. Navarro’s 19th release in a prolific and acclaimed career sparkles with innovation and delight at every turn.
What struck me almost immediately, and kept on striking me throughout the disc, is a fearless sense of movement. Navarro leaps from tone center to tone center with joyous abandon, changes meter with deft ebullience, changes tempo midstream, shuffles mode at will. What might seem to the casual listener to be an overly cerebral, self-absorbed tactic, it is really nothing of the sort; to me, it is a gleeful statement of personal ideas that invites you to follow along; and rewards your tenacity with dimension, harmonic complexity, and textured nuance.
The title cut is a tension-filled, ethereal piece, that demonstrates not only Navarro’s micrometered set of chops, but also showcases his deft arranging sense and atmospheric production sensibilities. I’m thrilled to hear such incredible attention to detail in the drum and percussion tracks; so often neglected on albums by solo instrument artists. The sound field is deep, wide, and focused, with a clarity that will startle you. Drummer Joel Rosenblatt (Manhattan Transfer, Spyro Gyra) is a true craftsman, and his work on this disc crackles with energy, and yet is settled, effortless, and compelling; while Navarro’s presentation of the percussion is upfront, deliberate, and meticulous.
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Navarro’s signature smoothness and even-handed playing is a joy to behold throughout the disc. His versatility in migrating from clean nylon string work to funky distortion and back in “The Buzz” is especially noteworthy. “Brazilian-phase” Metheny-esque influences can be heard in “Dream So Real”, but Navarro makes it his own with chordal movement and arranging density that creates a lush and precipitating atmosphere. The gentle giddiness of “Self Propelled” is leavened by a wonderful, modal planing eleventh/dominant harmonic sensibility that makes the resolutions truly satisfying. True Stories is a multi-movement tour de force with a riveting doubled melody and global feel that once again harkens the best of Metheny/Mays. “Shared Air” has a relentless throb, a fascinating counterpoint to the gentility of the melody. The subtlety of the drummer is brought into focus again on this piece. “Everything Being is Dancing” just flat boogies. A little clav feel, laid-back and funky drums, suddenly ornamented with a dense harmonic palette, with nuanced and sensitive bass work by Tom Kennedy (Al DiMeola, Dave Weckl), and perhaps the most spirited and inspired Navarro soloing on the disc. Breathless work.
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“The Stars, The Snow, The Fire” makes beautiful use of odd-meter’s levitating effects on a groove. Seamless transitions into swing and then into 4/4, then back punctuate the symphonic nature of the song. Keyboardist Jay Rowe (Special EFX, Marion Meadows) is particularly mesmerizing in this piece. The closer, Erik Satie’s “Gymnopedie No. 1” is an interesting counterpoint to the rest of the CD. While it is flawlessly executed, expressive, and interesting, I couldn’t help but wonder if the continuity of the album wasn’t compromised just a tad by this piece’s inclusion. I wasn’t bothered by it, but I did notice. A minor blemish at most (and I really had to nitpick to find this fault) on what is a genuinely riveting CD. If this is not up for Grammy® consideration, I shall be truly astounded. Get it. Now.
Review ©2010 Philip G. Traynor
KEN NAVARRO – DREAMING OF TRAINS - Purchase tis album at http://www.kennavarro.com
Released on Positive Music Records
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May 1, 2012 - We live in a world where most instrumental music sounds like it was made for a 5x5 vertically moving room and that includes some Smooth Jazz. Interestingly, most Smooth Jazz musicians are technically some of the best players on the planet but many have fallen into this big vacuous hole, an amnesic state, where channelling Bert Kaempfert is common place. 
April 17, 2012 – Get ready for another beautiful journey from David Benoit on May 29th. His new album, `Conversation,’ will no doubt serve as another expansion for the Smooth Jazz format. 
April 26, 2012 - Norah Jones is set to appear with a Live-on-Letterman webcast, featuring Jones from the prestigious Ed Sullivan Theater in New York, Wednesday, May 2nd at 8:00 ET. This is a clever, strategic move for Jones to push her next album “Little Broken Hearts” set for a May 1st release. 
April 4, 2012 – Esperanza Spalding is a groovy chick. I mean, really, when she’s in the room, everyone else disappears and I’m talkin’ more than that big “love-sculpture” hair. She’s the type of musician you might walk up to at a party, ask about her music, and walk away three hours later regretting the question. This lady has a vision so you better have a seat. 
February 21, 2012 - As it was stated during the Grammy Awards, "We've had a death in the family." Now our own Jazz family is remembeing Whitney Houston. 
February 21, 2012 - Shock, disappointment and horror are some of the many words fans used to describe Whitney Houston’s untimely death last week (February 11, 2012). My family and I were outside a Starbucks when one of our radio listeners texted me with, at first, the rumor. 
– Not many groups have stood the test of time like Airborne. Coming in around the time that the NAC format was really starting to cook, 1988, this outfit grew with every project, gig and album. Having just released their most powerful album yet, New Horizon’s, it looks like the world is ready for this, a full dose of positive, social conscious fusion. We sat down with the band to chat about all the twisting, yet beneficial roads taken. 
– The smart ones in life know that it’s not how you fall down in life that counts but how you get up. Zach Bandolin has had his fair share of topsy-turvy moments but the guitarist keeps swinging. 
- French Smooth Jazz guitar sensation Emmanuel Abitebol, more known as U-NAM, came to fame with his widely acclaimed somophore album ‘Back from the 80’s’ released in 2007. 
October 20, 2011 – This is no ordinary album. In fact, there is nothing normal about this album and that’s what makes this one of the most perfect projects that’s ever come across my desk. 
– On her third album Colbie Caillat has decided to strategically give us an uptempo summer-vibe. It still sounds like her smash debut “Coco” but this time it’s Colbie with caffeine and it’s positive and fun
– There are not too many things in life as deliciously lazy as Michael Franks voice. The guy could chill out someone on deaths door. Seriously, angst has no place on a Michael Franks record – he’s good at one great thing..making you feel good! 
- Programming Smooth Jazz Radio has allowed me to discover talent over the decades and follow the twists and turns in their career. Such is the case of saxophonist Steve Cole an artist whom has played on numerous number #1 Smooth Jazz hits and been a regular spin on most smooth jazz radio stations play lists. 
– There’s always been an understated value to everything that Sade does and sameness to her entire repertoire. That quality of old wine has served the singer/band well… until now. Unlike Norah Jones who has, at least, tried to mix-up-the-pot, Sade really needs to stop wearing the same dress to every party. 
– Well, one things for sure, Mindi Abair is not shopping on Main Street anymore. As they say, “run away from the past and eventually it will run into you.” 
