Three Brian Hughes products reviewed
"Along the Way"
"Shakin' Not Stirred"
"Live"



Brian Hughes - Along The Way
A440 Music

The Smooth Jazz genre in Canada has been a work in progress for as long as I can remember. Back in 1986 coming up with enough Canadian content for the radio format was as hard as digging a ditch with a toothpick! Luckily, things have changed thanks to world class musicians like Warren Hill, Les Sabler, Rik Emmett and a guitarist who's been there since the very beginning - Brian Hughes. In the nineties Hughes' Pat Metheny/Wes Montgomery inspired albums like "Between Dusk and Dreaming" and "Under One Sky" showed an artist still trying to find his own identity. That early stuff, as catchy as it was didn't quite have that "it" factor that made his last few CD's easily grab the attention they deserved. Fortunately, "Along the Way" takes his musical ride a lot further with an appropriate travel theme. After growing up in Edmonton the guitarist moved to Toronto in the nineties and finally settled in southern California last year. So, this album is literally into a bigger city feel. Hughes says, "In a way the new CD is a kind of loosely knit collection of musical postcards from my travels and the title serves as a metaphor for my musical journey." The aural landscape of "Endless Road" is moody in that thought provoking, dreamy kind of way. It's a great example of the continuously evolving musical terrain Hughes seems to have grappled with, simply put; he can grab your attention in half the time of most other guitarists. "Omaha Unbound" is a stand out for many reasons. Hughes says, "I really wouldn't call it a ballad but it's almost country-esque, it's very Americana and it's pretty much unlike anything I've ever done before." It reminds me of the intimacy that pianist Philip Aaberg manages to pull out of a hat on every recording. It also builds gradually, a good song that climbs without a crazy crescendo, now that I like! The title cut, the first single off the album was the second most played Canadian Smooth Jazz hit last year which satisfies Hughes though he'd rather do without the genre tag. "I wouldn't consider myself a Smooth Jazz artist and I've been around doing what I'm doing before that label was even thought up," says Hughes, "Of course some of my music fits in that category. I think what I do is kind of like Jazz with a kind of pop world beat leaning to it or melodic Jazz or whatever you want to call it." Chris Botti who we know as the former Music Director of the TV's Caroline Rhea show and Stings trumpet player adds a little color to the groovin' "Route 66." The new single "Wherever You Are" features one of the most underrated sax players in the genre, Eric Marienthal. Hughes says it sticks to the albums travel formula, "It's about being on the road and missing the one you love... a love song of sorts, as always for my wife Pamela." It's in the category of heartening, memorable driving songs and trust me you won't snooze to this one. As with previous CD's Hughes has incorporated a few toe tapping cheery Latin tunes that give the album even more bite. Hughes thesis for music could make you shiver with satisfaction and that's what it did for me. - by John Beaudin


Brian Hughes-Shakin Not Stirred - Higher Octave
No this isn't the soundtrack to the new Bond film. 'Shakin Not Stirred' is smooth Jazz with a Latin spin and it's a lot of fun. Guitarist Hughes has never released a bad album yet this easily outperforms anything he's done including his work with Loreena McKennitt. It's as if this CD cries out "Don't take it all so seriously!" and Hughes as a player has relaxed and improved with inspiration from the great Wes Montgomery. This album is like a trip to a sixties Jazz bar and it's perfect as dinner or driving music. - John Beaudin








Brian Hughes Goes Live   Sylvan House Music
September 10, 2007 - When I first heard the amazing fretwork from Brian Hughes years ago programming my Jazz show, I immediately could feel the influences of Pat Metheny, Wes Montgomery and even some George Benson.





 





 
 
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